above: Sir Cecil Beaton with his costume sketch for Audrey Hepburn in My Fair Lady
Beaton launched his career as a ‘society’ photographer in 1926 with an exhibition in London which won him an immediate contract with Vogue, where he worked for the next thirty years. His style was inspired by figures such as E.O. Hoppe, Edward Steichen and Baron de Meyer, the most successful magazine photographers of the 1910's and 1920's. Beaton’s fascination with glamour and high society prevailed throughout his life and in 1937 he became court photographer to the British Royal Family. He also became a successful stage and costume designer, most notably for 'My Fair Lady' and 'Gigi'.
After the war, Beaton tackled the Broadway stage, designing sets, costumes, and lighting for a 1946 revival of Lady Windermere's Fan, in which he also acted.
His most lauded achievement for the stage was the costumes for Lerner and Loewe's My Fair Lady (1956), which led to two Lerner and Loewe film musicals, Gigi (1958) and My Fair Lady (1964), both of which earned Beaton the Academy Award for Costume Design. He also designed the period costumes for the 1970 film On a Clear Day You Can See Forever.
Additional Broadway credits include The Grass Harp (1952), The Chalk Garden (1955), Saratoga (1959), Tenderloin (1960), and Coco (1969). He is the winner of four Tony Awards.
He also designed the sets and costumes for a production of Puccini’s last opera Turandot, first used at the Metropolitan Opera in New York and then at Covent Garden.
He also designed the academic dress of the University of East Anglia.[8]
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http://en.wikipedia.org/wiki/Cecil_Beaton
http://en.wikipedia.org/wiki/Academy_Award_for_Costume_Design
http://en.wikipedia.org/wiki/Tony_Award
http://www.vogue.co.uk/news/daily/080828-audrey-hepburn-costume-sketch-sale.aspx
http://42ndblackwatch1881.wordpress.com/2009/04/18/cecil-beaton-fashion-slave-from-the-cradle-to-the-grave/
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